
In 1888 the art historian Heinrich Wölfflin proposed the notion that the primary characteristic of baroque architecture is the illusion of movement.
This paper presents new historical research on the concrete facade of an important but relatively unknown and now demolished building by the American
It may be difficult for modern man to believe that what is known as handicraft was once the advanced manufacturing of the day. These techniques were
The prominence of climatically responsive building facades through the use of kinetics has proliferated in recent years due to a concern for the
Projecting imagery onto building facades is not only becoming a marketing necessity for successful urban spectacles but is also altering social urban
This paper examines two profoundly different design approaches: one, herein called ‘autonomous’, where the building’s design is governed by internal
In 1959 Heinz Isler challenged the world of concrete shell design by proposing a series of shapes for shells that were very different from what most
This paper provides an overview of a course focusing on the façade as taught to architecture students over a twenty-year period. The need for this